Terry Abrams Photography

 
 

Photography has been Terry’s passion and profession for over 30 years, and he invites you to explore this site for information about the photographs he creates as well as information that you can use to improve your own photographs.


Technology is an essential component of the photographic process, and Terry Abrams has worked in a variety of technologies, including historical, contemporary and leading-edge.


The photographs Terry currently produces are created with digital cameras, processed in computer software and printed on large-format ink-jet printers in his own studio, using the finest inks and papers available.


Perhaps you will enroll in one of Terry’s college classes, workshops or travel adventures. These offer you the opportunity for group and individual instruction in the art and technology of photography.

 

The photographs above were made with a variety of digital cameras and printed with the finest inks and papers. Locations include Morocco, California, Chicago and New York City.

NEWS!



Please note that I’m in the process of uploading new image galleries.  If you’d like a preview, click the “Photographs” link above.


Please visit me at the Ann Arbor Art Fair, July 21-24 at the corner of Liberty and Maynard Streets, Booth #B317. See you soon!


The New Kellog Eye Center, part of the University of Michigan’s Medical Center complex, recently selected 30 of my 22x30 inch photographs for permanent display in various patient areas.


The 10th ed. of the book, “Photography”, by London, Stone & Upton, has been published with one of my toned black & white photographs illustrating the topic of Channels in Photoshop.



This is the group from the Southern Utah workshop, from Smithsonian Butte with Zion National Park in the background.



Here is the Coastal Maine workshop group, gathered on the steps of our historic inn, which served as headquarters for the week.



Please contact Terry by email if you have any questions.

 

The view camera has played an important role in Terry’s photographs by offering a precise way of visualizing and rendering images. He began working with digital technology in the 1990s by scanning 8x10 negatives he produced with an antique camera. Terry still scans large format film for digital printing, but today is more likely to use a Digital SLR camera for creating RAW files.